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© 2008 Jace Mouse.
All Rights Reserved.

 
Photography : Photo Of The Week : #63 02.27.2003
 


I'm titling this image "Hilltop Dawn."

This was shot in very low light, with a two-second exposure -- obviously, on a tripod.  Even then, it was shot at ISO 320, which resulted in considerable noise.  The color was actually pretty close to what you see now -- what vibrant colors do you expect when it's nearly pitch-black out? 

The exposure of this shot was pretty good to begin with, because I took about eight shots at different aperture and shutter speeds to assure I had an exposure that was good.  I didn't have to do any work to bring out shadows or highlights.  But there was some work on the color, and quite a bit of intricate work to remove noise. 

I spent about 45 minutes on this shot in Photoshop.  I started by working on the color.  It was a bit more orangey-yellow at the start, so I worked to give it a sepia tone via some color correction.  I had a really hard time getting the color I wanted without the green of the grass starting to come through, but I eventually settled on something that didn't require me to start ripping into the image and blocking-off the shadows and mid-tones in order to make adjustments on the grass by itself.   To remove noise, I started with  Bert's Noise Reduction Action.  It wasn't a lot of help here, but it's hard for a tool to handle as much noise as this shot had, without blowing away the finer details of the tress.  So next, I blocked-off the sky with the lasso tool, and ran a Gaussian blur.  Pretty good results, so I moved on to blurring the sky around the tree and horizon by hand.  I did a little bit of work with the clone tool in the foreground, just to clean up some stray pixels that cropped up somewhere during the process.  A little unsharp-mask to finish, and presto!


Camera:  Olympus E-10
Mode:  Program
Metering:  Center-weighed Average
Shutter Speed: 2 sec
Aperture: f3.2
ISO: 320
Focal Length: 15mm
Contrast and Sharpness were set to normal.
Original File Size: 2240 x 1680, 2,440K at 1/4 Compression

The camera was fitted with a Hoya HMC UV(0) filter.