About the Scene: I took these photos while on a business trip
to India. Bangalore is the technology capital of India -- the
Indian equivalent of Silicon Valley. After concluding a week of
work, I had my driver take me to the market before catching my return
flight. My business colleagues were decidedly against my visit
there. After a week of dining in four star hotels and seeing the
pinnacle of their technical prowess, the crowded dirty market wasn't
their idea of an impressive site. And I understand why. To
them, this is an ordinary place -- a place where the less-fortunate
members of society meet to scrape out a living in the city. But
I anticipated something more -- an opportunity to connect with some of
the people at the heart of India's national heritage.
The people in the market make very eager photographic subjects. They
are friendly and eager to be photographed. People frequently
posed, and no one asked for money.
Despite the need for
basic street smarts, the market was the safest I'd ever been in
(compared to Morocco, Peru, etc.).
The Photographic Process: For this series of photos, I used a minimum amount of in-camera
tuning. By default, all digital cameras make a number of
improvements to the images that are captured on the imaging chip.
Images are adjusted for
proper color
and sharpened. That instant gratification costs us the a lot of
artistic control. So I elected to adjust the camera, and tune
the images myself on my PC.
The Digital
Post-Processing: After getting the raw images out of the
camera, I pulled them into Photoshop, and worked on the color and
sharpening. This added significantly to the amount of time
required to process the images, but gave me results that far exceeded
my expectations. I made all my changes in layers and saved and
saved the files in the native Photoshop format. This way return
to make small adjustments, and I have added benefit of an unedited
original layer. Once I had the images ready for printing, I used
Photoshop's droplet functionality to easily create one set of JPEG
files for printing, and a second set for reduced-resolution files for
the web. The droplet functionality is a huge time-saver.
For all of these photos, I
used Canon's 17-40L. For the first time, I've decided that a
professional-quality "L Series" lens such as this is worth the money. The
color rendition was superb and the level of detail in the images is
astounding.
The Prints: The web
doesn't do these photos justice. I've had most of these photos
turned into 8x12 prints. The results are better than I ever
could have hoped. The colors are vibrant, and the near life-size
portraits draw you into the each person's story. (If you're one
of my colleagues, just ask me to see the album sometime.)
Artist's Disclosure:
I didn't have a lot of control over the lighting conditions, so I just made
do with what I found. As a result, some of the images weren't
initially viable, and required additional adjustments beyond standard
darkroom practices. Specifically, two images are
substantially altered. Image 9392
(row 1, col 3) has had a pale blue sky added, to avoid distracting the
viewer from the subject. Image 9416
(row 3, col 4) has had special adjustments (dodging and burning) to
allow proper exposure of both the foreground and background.
Here's the Video version, courtesy of YouTube:The music is by Caedmon's Call, Share the Well album.