| |
Southern Arizona Photography Trip
Southwest Arizona - November 15-23, 2003
The best-laid plans...
This trip started out as something a bit more
ambitious. I
scaled it back in order to spend time with a friend. This
allowed me the opportunity to spend some additional (very productive)
time in the areas around Tucson.
Fine Art Photographer's Summit
Saturday, November 15-16
This was the inaugural attempt at a workshop/seminar for photographers. The summit was
staffed by some of the most recognizable names in Landscape & Digital
Photography: Alan Briot, Steve Cassak, Michael Richman, and Uwe Brinmere.
The summit was attended by about fifty people, and supported by CaptureOne,
Gretag Macbeth, and Epson. Thomas Knoll, creator of Photoshop, was also
in attendance -- a nice bonus, considering the insights he provided on the
inner-workings of the just-released Photoshop CS (v8).
For an inaugural event, it was quite successful. The sessions were
largely a re-tread of information the presenters had already made available on
the web. But the format allowed ample opportunity to ask questions, and
provided additional background on the presenter's perspective. The
attendees were largely a mix of professional and advanced amateurs, with a few
eager beginners also present. Many of the attendees focused on landscape
or nature photography, but others were also present. The event allowed
the good opportunity to interact with others. The print review was very
interesting. I learned a lot by watching the critiques of others, and
wish I would have brought some of my own work for review.
For the amateurs present...the amount of money these folks apply toward their
hobby is mind-boggling. After one day, I no longer felt guilty about the
money I've spent. But the end of the second day, I was contemplating a
whole suite of new purchases... ;)
At the end, I took-away two main points. One, I MUST calibrate
my monitor -- by purchasing a $250 colorimeter -- if I want reliable
colors in my prints. And two, that I should seriously consider making my own prints instead of
sending them to the lab. As I become more discerning about the quality of
my work, this makes sense to me. But I'm torn. Buying the equipment
is easy enough. But proper color calibrations will require countless
hours of pain-staking tests and refinements. Every combination of ink and
paper requires its own profiles to be created, tested, and refined.
There are labs with professional machines that will supply me with the profiles
that match each lab's printers. To get started, I think I stick with
that.
I'm looking forward to next year's summit.
Sedona with Alain Briot
Monday, November 17
On Monday, I participated in a field workshop conducted by Alain and Natalie
Briot. The focus was on "seeing photographically." The beautiful
surroundings were secondary. I chose Alain's course due to his artistic
background. I can learn the technical details from books and trial and
error. But I needed some help to develop the aesthetic aspects of
photography. I learned a lot. We started out at Montezuma's Castle.
The photographic opportunities there were very limited. Unless you're
interested in adobe cliff dwellings -- or Alain Briot is there to give
instruction -- I suggest you skip this national park.
We then proceeded to a nearby canyon to photograph petriglyphs. It was a
treat to be taken to this location, because it wasn't on any map, and it is
rare -- for fear of vandalism -- for anyone to reveal their locations.
This was an interesting destination, but rock art doesn't hold a lot of interest for
me personally.
From there, we proceeded through the town of Sedona, to a road-side stop at
Bell Rock. A short hike from the parking lot presented a number of good
opportunities to photograph with some interesting vegetation for foreground
interest. It was here that Alain thoroughly schooled me in the good
composition, spending mere seconds to eclipse my best-conceived compositions.
I learned a lot.
We ended the day with a shoot at Cathedral Rock. I didn't invest a lot of
time here. The weather at sunset wasn't agreeable, the classic picture
has already been taken by Alain and others, and my search for other
compositions would have taken me into the frames of other photographers.
Saguaro National and Tucson's Bario with Alain Briot
Tuesday, November 18
A very rewarding day of shooting. We started the day with a drive to
Tucson, by way of Phoenix's rush hour traffic. Alain and Natalie tried to
teach me about color, and it's presence in shaded/reflected light. A lot
of this lesson was lost on me. Upon later reflection, I think I was just
thinking too much. The take-away was that shade isn't grey. It has
color. Not identical to the color in full-sun, but still abundant color.
My images from that day emphasized this point. I am quite happy with
them.
The Bario Our first stop for the day was "The Bario" -- Spanish
slang for slum. The Bario is
most notable for its colorful
buildings.
Many of the properties are dilapidated rental dwellings. But some
properties indicate impending gentrification. The streets
are dotted with an assortment of rust-laden Buicks and luxury SUV's. The Bario is easy to find, and safe to walk on foot. It is located on Meyer
street, and straddles the downtown business district. Most of the
buildings are to the south. Start at Cushing and Meyer. A few
blocks north of downtown, you can take a meal at the historic el Charo
restaurant, and photograph a few more examples of the Bario on Meyer street on
the block immediately north. One of the hardest parts about photographing
the Bario is the later realization that nothing is actually plumb and straight.
Doorways, window sills and rooflines all follow their own course. I
advise that you shoot wider, with the intention to crop. This may allow a
little extra room to resolve some inherent viewer discord.
Saguaro National Forest Western Side The next stop on my
journey was to work on composition and capture sunset in Saguaro National Park.
The western side is less-dense, and therefore allows better opportunities to
compose shots without having to place your butt in a cactus.
Good compositions are available just about anywhere you care to stop the car and look.
We photographed sunset at Signal Hill. This location has a nice view of
the valley that lies to the west, but it will require alterations in Photoshop
to remove the houses below. The sunset also casts nice light on the
mountains and saguaros to the west. I found some additional spots on a
return trip later in the week.
Sonoran Desert Museum, Center for Creative Photography and Bisbee
Wednesday, November 19
Photographically-speaking, this day was fairly unremarkable.
Sonoran Desert Museum I started the
day with a visit to the museum. The museum is
interesting, but didn't offer many photographic opportunities beyond the
traditional zoo-like setting. The facilities are nice, and the docents
practically fall over themselves to tell you about the exhibits. Worth a
visit.
Center for Creative Photography The center is located on the campus of
Arizona State University. The facilities are nice. The gallery is
free, but you have to pay for parking across the street. The exhibit in
this case -- an artist's aerial photography of changing endangered landscapes
-- was unremarkable. I hear they've had more interesting exhibits in the
past. Check the website
before you go. The bookstore has a decent selection of photography books --
better than what you'll find at most Borders locations.
Bisbee I then proceed out of Tucson, and along a scenic highway to Bisbee.
The historic town didn't hold significant interest for me -- I was more
interested in Chirichua that lay beyond -- but the scenic highway leading to it
seemed more interesting than the interstate. The drive was nice,
but unremarkable. Bisbee might be worth a visit, if your interests are
so-aligned. The historic-looking mining town holds a lot of western charm
and is interestingly nestled along the cliffs of a steep canyon. On the
way to Bisbee, you'll
also pass through the town of Tombstone, which provides similar interest.
I suspect that some decent shots of the town are possible from the main road.
Sunrise and sunset might provide a nice orange glow, but I can't say for
certain whether the canyon walls prevent that light.
Coronodo National Forest and Chirichua National Monument
Thursday, November 20
This was a day of mildly photogenic -- but wildly enjoyable -- hikes.
Coronodo and Chirichua are adjacent to one another. I entered them from the east,
via a brief jaunt into New Mexico. The road into Coronodo requires high
clearance, and explicitly warns against passenger cars. A sedan could
have made it, but it would have required careful driving and a desperate hope
there had been no recent rains. Coronodo offered a number of hiking
trails and camping opportunities, none of which I found in my research prior to
the trip. I suspect that a backcountry permit is required, though I never
saw an office where one could be obtained. There are some promising
photographic opportunities, particularly within the first five miles
of entering the area. I intend to return to Coronodo.
Chiricaua is an undiscovered gem of the national parks service. It is
remarkable for is hundreds of balanced rocks, most of which best any formations
that I've seen in any other park. The park consists of one eight-mile
paved road, surrounded by 12 000 acres of backcountry that is explicitly
off-limits.
Chiricahua Photography The photographic opportunities from the parking
lots are decent, but the trails
are even better. Most of the parking areas -- are situated high
along a ridge. The main views are to the west. The balanced rocks lie to the west, about 1 000 feet below, which
makes both silhouettes and afternoon light difficult to capture. There is
a nice valley floor beyond, and some distant mountains that silhouette well.
Looking outside the monument to the east, expansive valley and
mountain views abound to the distant horizon. Sunrise on the
monument is mostly obscured by the ridgeline, but is worth a shot.
It seems that the best opportunity would be a sunset from about three miles
into the trail system (at Inspiration Point, perhaps) might be very nice.
However, this would require a three mile return that descends 1000 feet into a
canyon, and then regains it on the opposing side -- difficult in the dark, and
the monument does not allow camping. Along the hiking trails, Inspiration
point provides nice panoramic views. Heart of Rocks allows some up-close
views of balanced rocks and lizards. The road outside the park --
particularly as it heads north to Willcox -- offers some opportunities.
The road runs along the eastern edge of the valley floor, offering brilliant
colors at sunset, and silhouettes of mountains and desert plants.
Chiricahua Hiking I loved the trails. I hiked all twelve
miles they had. There is a detailed trail
guide available for 25ยข
at the visitor's station, but it doesn't show any more trails than the glossy
map. The trails are demanding physically, with nice altitude gains and some
challenging terrain. The hardest part can be finding when the trails
start. From the parking lot at Echo Canyon, walk past the restrooms as if you
were going to head straight to Massai Point. Ignore the side trails.
You should find the trail markers within twenty yards. Heart of Rocks has
unusual terrain and is purported to be the most difficult. It's not
well-traveled, so it does require some concentration to stay with the trail --
but the entire loop is under two miles, so there is a limit to how lost you
could get. The park offers an 8am shuttle service, that allows hikers to
trek downhill back to their cars -- but what's the fun in that?!
Chiricahua Accommodations There is a nice campground within the park.
The nearest hotel is 50 miles away, in Willcox. There, you'll find a few major
hotel chains and
some fast food restaurants that line the interstate, but there isn't must
else of interest. There is a movie theater and some kind of historic
railroad car. Coronado seems like a good place to try and squat-camp
for the night. There is a road into it just a mile or two south of the
Chiricahua entrance. Good sites are readily visible within the first
three miles.
Return to Tucson and Trip to Old Mexico
Friday, November 21
Nogales makes for an interesting trip, but is decidedly un-photogenic. But
who can resist the lure of bargain-priced textiles, and the look on your friends'
faces as they try to find a place for their fluorescent woven goods within their homes.
I
would also question the wisdom of taking your camera across the border.
Return to Saguaro National (Western Part)
Saturday, November 22
I managed to capture my best photograph before the sun had even risen.
The park opens at 6am. Most people access the park via the highway from
the southeast. My advice is to enter from the northeast, and take the
gravel road that leads south into the park (instead of continuing on, where the
westerly highway will eventually curve south). This provides the
most-expedient route to the best photographic points, and allows some
opportunities to stop along the way when a good composition presents itself.
I captured my best photo shortly before sunrise, just after the crescent moon
had risen above the mountains.
To get this photograph, I had to battle with nature a bit. On one hand I had the interesting
crescent moon, and clouds that would reflect the hues of the morning sun.
On the other hand, clouds obviously obscure the moon. I owe my best photo
to a dash of preparation, two parts patience, and a whole lotta good fortune.
The hikes within Saguaro National are nice. There are a number of promising
photographic opportunities along the way. Capturing them at sunset or
sunrise would require a two-mile hike in the dark. The hike itself is
along a strenuous, but easily traceable, route. The roads in the park
have gates posting the hours (6am to sunset). I'm not sure how the Park
Rangers would react to a late hiker. You might be able to park at the
Visitor's Center and hike in/out from there, but that will add another couple
of miles. I think it may also be closed at that time, but I don't recall
any gates.
If you make the trip, send me a postcard!
|
|